Seaside shenanigans, Newcastle grit and dinosaurs of the deep – the week in art

. UK edition

A person does a handstand on a beach wearing a large pleated white skirt that fans outward
Frolics … detail of The Restless Image: a discrepancy between the seen position and the felt position, 1998, by Rose Finn-Kelcey, showing in The Air of Ideas at 301/2 High Street, Rye. Photograph: Angus Mill/Courtesy of the artist and Kate MacGarry, London

Rye spies a quirky summer show, Leonora Carrington’s surrealism is knowingly Freudian and ancient reptiles take over the Natural History museum

Exhibition of the week

The Air of Ideas
Artists represented by Kate MacGarry Gallery escape to an 18th-century house in East Sussex for this quirky summer group show, including Lisa Milroy, Marcus Coates and Francis Upritchard.
301/2 High Street, Rye, until 31 August

Also showing

Tish Murtha and Kuba Ryniewicz – Close to Home
Murtha’s moving photographs of working class life in Elswick, Newcastle in an era of dereliction and decline are complemented by contemporary responses from Ryniewicz.
Baltic, Gateshead, from 4 July until 4 April

Jacques Henri Lartigue: Life in Colour
This renowned French photographer is usually remembered for his black and white work but here his experiments with colour from the 1930s to 1980s are revealed.
MK Gallery, Milton Keynes, until 4 October

Leonora Carrington: The Symptomatic Surreal
An extended run means more time to wallow in this British surrealist’s knowingly Freudian fun.
Freud Museum, London, until 10 August

Jurassic Oceans: Monsters of the Deep
Take a deep dive into seas crowded with lethal ancient reptiles including pliosaurs and mosasaurs in this family summer blockbuster.
Natural History Museum, London, until 3 January

Image of the week

Ai Weiwei’s Button Up! exhibition opened this week in Manchester featuring skeleton chandeliers, a real-life temple and, as the title suggests, tonnes of buttons. It is a massive, ambitious takedown of colonial history, warfare and the migrant crisis that sees the Chinese artist at his most monumental.

What we learned

Artist Lydia Wood is on a mission to sketch every pub in London

A valuable Spanish painting thought stolen was found on the street by a man who liked its frame

People are queueing online for up to nine hours for tickets to see the Bayeux tapestry in London

Ana Mendieta’s art triumphs 30 years after her troubling death

The £1.3bn revamp of London’s Olympia is an Aztec-tinged tiara-topped triumph

A David Bowie archive featuring Saxophones, song charts and a rejected Simpsons script is to tour the UK

John Hutton’s glass engraving at Coventry Cathedral has been damaged during the set-up for a music event

There’s plenty of free medieval around if you know where to look

Masterpiece of the week

Saint Francis of Assisi with Angels by Sandro Botticelli, about 1475-80

It was genuinely hard for the young Botticelli to restrain his feeling for beauty. At the time he painted this homage to Francis, the medieval saint who preached poverty and reverence for nature, he was mingling with the Medici and absorbing their cult of pagan gods and lush love affairs. That sophistication threatens to destabilise this early work by him. Francis is a harrowed ascetic figure in brown robes, contemplating the cross with an intense, inward face that resembles drawings by Botticelli’s rivalrous friend Leonardo da Vinci, also starting his career in Florence at this time. Is Botticelli perhaps trying out Leonardo’s style? However, the angels who surround Saint Francis are pure unadulterated Botticelli – their poetic, heavy eyes and wavy locks would have entranced a Victorian aesthete. Even in a painting of the patron of poverty, Botticelli delights in precious courtly fashion.
National Gallery

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