Pekka Kuusisto: Willows album review – luminous, inventive and penetrating

The Finnish violinist-conductor strips back The Lark Ascending to revelatory effect in an album that moves from searing grief to radiant, folk-infused transcendence with Sam Amidon

‘We aren’t deleting notes,” says Pekka Kuusisto, “but deleting ketchup.” The Finnish conductor and violinist is talking about Ralph Vaughan Williams’ The Lark Ascending, a work of such innate Britishness that it regularly tops UK classical music popularity polls. Kuusisto’s Lark isn’t RVW-lite, however, but a penetrating, convincingly honest account that strips the music back to its essential roots in the English folk tradition. Opening with a breathless whisper, it flutters and soars before vanishing into a realm of spiritual tranquillity.

The album, entitled Willows and featuring the Norwegian Chamber Orchestra, is in part a reflection on grief and loss: Ellen Reid’s Desiderium, a visceral howl for solo violin, is dedicated to Kuusisto’s gifted brother Jaako, who died in 2022. Elsewhere, Caroline Shaw’s Plan & Elevation, an orchestral version of her 2015 string quartet, picks up on the arboreal theme in a work that maps out Washington DC’s Dumbarton Oaks estate. Architecturally conceived, the piece takes Mozart and Ravel as its guides in flickering lines crisscrossing five assorted movements.

Completing the circle, Sam Amidon lends guitar, banjo and his distinctive vocals to six traditional American folk songs, here arranged by Nico Muhly. As expressions of faith, sorrow, ritual and resistance, they draw this inventive album to a heartfelt close.

Stream it on Apple Music (above) or on Spotify